Larissa Stenlander, born in 1960 in Moscow, is currently living in Stockholm. Her watercolours are charming and quirky works that reflect and satirise everyday human emotions. Emotional motifs such as loneliness and craving for love, social vulnerability, the joy of belonging, independence and discrete cries for help are all situations and states that Stenlander’s characters find themselves in.
The stylized world of Stenlander’s art is quintessentially female and revolves around the artist’s alter ego – a sympathetic, plump, middle-aged woman who engages in daydreaming, contemplating and pondering. Sometimes the woman is alone, sometimes she interacts with her friends, or, rather, with her own doubles. The scenes are humorous, although there is an aura of melancholy to them that seems to stem from the sad premise that life is a constant struggle, be it with one’s self or the world.
Larissa employs symbolism in the same way as the 17th century Dutch masters did in their vanitas. Every single detail carries a certain meaning, is necessary and is positioned accordingly. The emotional charge of Larissa’s paintings is enhanced by the frank, finely chiseled and minimalist imagery.
Larissa’s stripped mise-en-scènes account for an independent vision and for the artist’s very own development of a traditional genre painting.
Animals take centre stage in many of Antadze’s purposefully naïve paintings as they represent our intuitive-instinctive aspect that cannot be custom tuned, but can be hindered and silenced. Antadze’s depicted animals are guides, ancestral beings and totems; they re-initiate into the spheres of existence that contemporary humans, due to traumas and social conditioning, easily neglect and disconnect with. Antadze’s art lovingly invites audiences to reconnect with the uncorrupted free inner-child. The artist constructs a nurturing safe space; his art motivates to take off masks and abandon facades, making a step towards a sort of self-retrieval.
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